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Elric Vol. 1: The Ruby Throne, by Julien Blondel, Michael Moorcock
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A stunning new comic adaptation of Michael Moorcock's classic novels! The ancient island of Melnibon� has been ruled by Elric, the albino Emperor, for millenia. Reliant on magic and herbs for his strength and prolonged life, Elric's grip on Melnibon� is crumbling, as his people slide into decadence. Now his envious cousin Yyrkoon, Prince of Melnibon�, plots to overthrow him and claim the Ruby Throne for himself!
- Sales Rank: #152199 in eBooks
- Published on: 2014-09-17
- Released on: 2014-09-17
- Format: Kindle eBook
Review
"For fans of not only Game of�Thrones�but also the God of War games
and even Lord of the Rings" - Pissed off Geek
"The art in this book is as unique and memorable as�Elric�himself. 5 out of 5" - Kabooooom
"Gorgeous artwork...[recalls] Moebius, Dune and even a dash of Blade
Runner. 4 out of 5" - Comic Bastards
"Beautifully illustrated, it’s a terrific addition to the comic book�incarnation of Elric” - Scoop
“The finest Moorcock adaptation" - Paradox Comics Group
"a masterpiece" - Sci Fi Monkeys
"Each page is gripping and packed with detail. 5 out of 5" - Pop Mythology
"This is the Elric adaptation I’ve been hoping to see for some time�now. 5 out of 5!" - Comic Spectrum
"Books of this high a caliber can certainly turn the tide for a genre that isn’t garnering as much attention." - Pop Culture Network
"An incredible fantasy graphic novel to behold - from start to finish." - The 9th Blog
“Elric�has never looked, sounded and been better!” �- Comics Trash�
"gorgeous art.... a MUST-HAVE in anyone’s collection!" - Comics Sinners
"As impossible as it may sound, Blondel has (together with his collaborators) actually made the�Elric�saga darker than ever before!" - Power of Pop�
"a perfect opportunity to finally delve into the world of the albino emperor" - Geeks of Doom�
"If you have never read anything by Michael Moorcock then this maybe a good place to get yourself acquainted with a world many people have grown to love." - Flickering Myth�
"nothing short of breath-taking" - Mass Movement
"the art is gorgeous" - 8CN
"an engaging read and visually stunning" - Digital Spy
"I thoroughly enjoyed it and finished it all too soon. I would recommend it as an ideal place to start the�Elric�story if you have never read them but wondered what all the fuss is about." - SFF World
"Magnificent is pretty much the only word I can use for the artwork. From the costume art to the look of the city, the level of detail is stunning and really does Melinibone to life. 9/10" - The Cult Den
"This latest tremendously dark and deeply engaging graphic�extravaganza again raises the creative bar and proves why�Elric�is the�leading star of fantasy fiction." - Comics�Review
About the Author
Comic book writer, game author and journalist Julien Blondel worked as a radio host for 14 years before becoming a DJ. In 1994, he abandoned the electronica scene for a career in writing. Since then he's written numerous successful screenplays, comics and short stories.
Didier Poli has worked for various animation studios including Disney studio on the production ofTarzan,�and as the Art Director for Kalisto Entertainment. As well as working in comics, he is a sought-after designer and storyboard artist for animated movies and games.
Robin Recht has illustrated�DmC: Devil May Cry, dark romance series�Totendom,�and the�Julius�trilogy, a prequel series to the�Third Testament�series, coming soon from Titan Comics.
Most helpful customer reviews
1 of 1 people found the following review helpful.
The ears have a point.
By BasaBasa
All and all, a very impressive standalone reinterpretation of the original. Sure, many many things changed. Some for the better, some for the worse, but the core love triangle and Elric's character are clearer and more emotionally (and logically) believable than ever because of some of the changes, and the work is awesome, especially the art. I don't measure success of adaptations by how close to the original they steered, but by how wonderful they are on their own and, only as an afterthought how they capture the core of the original. There is plenty of room in the multiverse, after all. Overall, this is definitely wonderful, and true to the original love triangle and flawed character of Eric very, very well. Sure, there are pointless additions, like pointed ears (why, why do the always do that?). Imrryr, the Beautiful, the Dreaming City and it's drug-addled, near-insane inhabitants whose shameless pursuit of pleasure knows no bounds is changed to something from Hellraiser (how cliche, what a waste of an opportunity), and other things. But those aren't enough to derail the astonishing art, the often truly better characterizations, that this brings to the table. I loved it, and I can now see an Elric movie (or two... please leave it at two, though) as possible and worth seeing. In the end no one can take away the real world Moorcock painted in my head for me decades ago, so this is a welcome re-thinking, nothing is lost.
1 of 1 people found the following review helpful.
Wish it a bit was longer...
By Nick Ten
The art is above average as for story... though It has been almost 20 years since I have red the original novels, it seemed rushed which makes sense since it is comic book form... overall for 12 dollars for a hardcover seemingly single issues comic book i was able to finish in less the 10 minutes I do not think I will continue to purchase future volumes... Maybe will just have to pick up the original [non-picture] books and go for a proper re-red...
21 of 24 people found the following review helpful.
The Definitive Elric Comic
By E.
Absolutely stunning. Moorcock writes in the foreword that he finds this volume the finest adaptation of his work to date, and I agree. He's given his blessing to every change, saying that frankly he wishes he thought of the tweaks first. The book truly captures the decadence and cruelty of Melnibone. It does not shy from depicting the Melniboneans in all their awful glory. Unlike other adaptations, the character designs feel completely true to the tone of the original book. The art is fresh and alive; the artists worked hard to inject their linework with vibrance and I don't think there's a subpar frame in the whole book. For anyone who is a fan of Elric, this is the beginning of the definitive adaptation. For anyone new to Elric, this book will show you the beginning of a story of one of the original anti-heroes, a character created to be the antithesis of hobbits and Conan the Warrior. Dark magic, swashbuckling swordplay, depravity beyond your imaginings, twisted nations and people, gods who feast on souls and chaos. This is the world of Elric laid out for your eyes to drink in. It will only get better from this volume on.
ETA: I just wanted to expand on this version of the comic versus the ones by P. Craig Russel. Titan is going to re-release the comics by Russel, which until now were probably considered "the definitive edition", so it's worth comparing. The Russel comics are much more true to the original stories and allow much more space for the story to lay out. What this comic does in 64 pages, the Russel one does in 176. However, as a big fan of Moorcock I never quite felt Russel struck the "tone" right with the artwork, which is why I love this new comic by Blondel/Poli more. The Russel comics are done in light wash watercolor, which while doing psychedelic or out-of-this-world experiences very well, ends up with disconnects like Rackhir the Red Archer dressed all in pink. The artwork never felt cohesive - Melnibone would have light, spindly towers in the city but use giant rectangular solid gold warships with an almost aztec look. Elric looked properly elvish but Yrkoon looked like a totally different race - in particular, some sort of ape-human hybrid dressed in clown makeup. And Dyvim ends up looking like a buff human lumberjack. So, while I do wish this new comic by Blondel/Poli could fill out some more pages just so I can have some more, the artwork feels incredibly solid and cohesive. All the characters from Melnibone look like they are from the same race and dress in a fashion that makes the culture look well considered and thought out. This passes through the whole book, which I feel has a properly "grand" style of framing shots to give the comic the feel of an epic fantasy. Anyway, my two cents on comparing these two comics.
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