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Designed for courses in Music, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing. While a limited understanding of contrapuntal elements may be gained through analysis alone, these elements are grasped in a more intimate way through the actual writing of contrapuntal examples. Also, by linking the study of counterpoint to music of a specific period, the text provides a clear model for students to emulate and a definite basis for the criticism of student work.
- Sales Rank: #186149 in Books
- Published on: 1998-08-08
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x .90" w x 6.00" l, 1.13 pounds
- Binding: Hardcover
- 292 pages
From the Publisher
This volume teaches counterpoint through analysis of contrapuntal elements in music and writing of the Baroque period.
From the Back Cover
Designed for courses in Music, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing. While a limited understanding of contrapuntal elements may be gained through analysis alone, these elements are grasped in a more intimate way through the actual writing of contrapuntal examples. Also, by linking the study of counterpoint to music of a specific period, the text provides a clear model for students to emulate and a definite basis for the criticism of student work.
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Five Stars
By Ruth White
great quality
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Counterpoint
By alison
Took quite long time to reach me though the mailing charge was not cheap
15 of 18 people found the following review helpful.
Errata: musical example
By S. Reichling
The first musical example for Chapter 3 should be an excerpt from Bach's Two-Part Invention, No.11. It is not, as the reader will quickly discover when the text talks about a "lower voice" that simply doesn't exist! This is not a huge problem, since the correct measures are shown soon after (in Example 5). But it could be confusing at first.
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