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Michelangelo and the Reinvention of the Human Body, by James Hall
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A brilliant new comprehensive critical analysis of Michelangelo's art, focusing on his depiction of the human body.
Michelangelo's art is exhilarating, but also bewildering: What is the source of its power? In this imaginative and detailed study, the art critic James Hall explores some of the major puzzles of Michelangelo's work-his stern Madonnas and their lack of maternal responsiveness; his concern with colossal scale and size; the way that anatomical dissections affected his attitude toward the human body; and the placing of solitary, heroic figures against backgrounds of chaotic, troubling crowds. Hall arrives at a more precise, nuanced appreciation of the body language of Michelangelo's figures, and offers new explanations of many sculptures, paintings, and drawings, including David, the narratives of the Sistine Chapel ceiling, and the monumental figures of his middle and late period.
Hall dispels both the idea of Michelangelo as an artist-superman and as brilliant but unbalanced, obsessed with the male nude. Instead he redefines him as the first artist to put the body center stage, making it the focal point of his quest for psychological and spiritual meaning. Lively and thought-provoking, Michelangelo and the Reinvention of the Human Body is a bold critique that will reshape the way we see this iconic artist's work, throwing a vividly revealing light on the originality and power of his genius.
- Sales Rank: #2740030 in Books
- Brand: Farrar, Straus & Giroux
- Published on: 2005-05-11
- Released on: 2005-04-21
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 1.26" h x 6.34" w x 9.32" l,
- Binding: Hardcover
- 312 pages
Review
In this stimulating book...James Hall has set himself a heroic task in attempting to give a fresh interpretation of [Michelangelo]...[He] makes one think about the great man and his work anew, which is a considerable achievement. - Martin Gayford, Sunday Telegraph. A substantial and intriguing contribution to the study of Renaissance art at a crucial moment in its evolution...[Hall] has opened his subject up. Michelangelo the Modern Artist, Michelangelo torn between virtue and desire, is a new Michelangelo indeed. - William Packer, Financial Times. For each of his persuasive eight chapters, Hall takes one key idea from Michelangelo's work and suggests parallels or sources...[But] in making his Michelangelo in the image of the artist's own time, [he] still succeeds in reminding us of a very modern hero. - Margaret Reynolds, The Times"
About the Author
James Hall writes and lectures widely on the history of art. He is the author of The World as Sculpture.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Intensely informative, exhaustively researched; triumphant
By Philip J. Herman
Every time I read this book I am astounded. This author seamlessly weaves together information from obscure and ancient texts to make mind-boggling points that explain the creative mind of Michelangelo. Increases my appreciation of all of the art. This book and " Michelangelo and the Pope's Ceiling " caused me to buy large color books of the art of Michelangelo; because for the first time I can begin to understand a little and appreciate a little of the thought processes of this great artistic and religious genius. James Hall should be awarded for increasing the availability of the mind of Michelangelo and for helping regular people to grasp a little of a very complicated and fantastic period of religious and artistic genius.
3 of 4 people found the following review helpful.
Preposterous
By GiovanniGF
I knew I was in trouble already when in the introduction Hall claims that for Michelangelo "The male figure... was always in some sense a surrogate for the ultimate human being, the dying and dead figure of Christ." That "always" was too categorical for my taste, but I forged ahead. But when I got to his preposterous interpretation of the Doni Tondo, in which Hall claims the Virgin Mary is a stand-in for St. Christopher because she is looking at the Christ child over her shoulder, and then goes on to claim that the mysterious male figures in the background are "sinners waiting for purification in, and passage across it," referring to the river that St. Christopher crosses, but which is not in the Tondo, and which are not even attributes of St. Christopher, I simply gave up.
I am certainly not against academic writing - I highly recommend Marcia Hall's (no relation, i assume) Michelangelo's 'Last Judgment' (Masterpieces of Western Painting) if you want to read scholars who don't feel the need to force things to get published.
0 of 0 people found the following review helpful.
Highly recommended reading.
By Osvaldo Brighenti
This book is so well written, prof. Hall has many insights into Michelangelo's art.
Highly recommended reading.
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